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Wu-Tang Forever also lacked the chemistry and intertextuality of the original Wu releases. This coincided with RZA’s Staten Island basement studio flooding, which also forced the Abbott to move to a more digital and less sample-based sound. The golden era (whichever period you call that) had long since ended, and the jazzy, rugged beats that defined NYC hip-hop in the early to mid-’90s were no longer fashionable.
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By 1997, hip-hop had changed dramatically. Some of the blame for this can be laid at the RZA’s feet, while other reasons were beyond his control. In fact, most Wu fans consider it to be the group’s first major misstep. Still, despite all of this, Wu-Tang Forever has always had its detractors. This was the culmination of leader RZA’s famed five-year plan, which outlined how a group of rough-and-tumble NYC CMS with little traditional pop appeal would essentially take over the music world. and U.S., drew widespread critical acclaim and further launched Wu-Tang to the upper echelons of pop-cultural ubiquity. Wu-Tang Forever sounds like the victory parade, exuding the scope and swagger of gods roaming the earth, surveying the spoils of a bloody but decisive victory.Īnd though there was some grumbling from critics and old heads, audiences responded. There’s also an epic grandeur to it: This didn’t sound like eight guys sitting in their basement, playing chess, smoking dust, and plotting a global takeover.
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The production gushes a cagey, synth-fueled dread, with (frustratingly brief) excursions into the Wu’s signature minor chord hip-hop minimalism for a sonic palette that absorbs all the claustrophobia and chaos of urban life in the mid-’90s. It contains some of the strongest verses from legendary emcees Ghostface Killah, GZA, and Method Man. Freed from historical context, Wu-Tang Clan’s 1997 sophomore album, Wu-Tang Forever, is one of the best albums of that or any year.